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The sudden and tragic death of Princess Diana has caused the entire world to reflect on how much this singular woman meant to us all. From her fairy-tale courtship, her wedding to Prince Charles, and the birth of her two wonderful boys to the stunning collapse of her marriage and the revelation of her psychological and physical trauma, we witnessed and shared in the wide range of emotions in her life. In the last few years, Diana's dedication to the downtrodden and unloved and her commitment as a mother have only strengthened her hold on our hearts.

When Diana: Her True Story was initially published in 1992, it was met with a hail of abuse from the British Establishment. As time passed, however, the magnitude of Diana's marital and personal distress made it clear, even to the greatest doubters, that this book was indeed Diana's true story; and finally, in 1995, she revealed in a BBC interview that she had indirectly cooperated with Andrew Morton.

What has not been known, however, until the publication of this new edition, is that Diana: Her True Story was in fact almost entirely based on her own words, supplemented by interviews with her friends. In 1991 and 1992, when this book was first conceived and written, Diana felt trapped and powerless within the royal family. She knew that the truth about her life was submerged under a mountain of royal propaganda. Diana: Her True Story chronicles Diana's unhappiness, which began shortly before her wedding day, and reveals the life of a young and beautiful woman who, trapped in a loveless marriage, had sunk to the depths of despair; from which recovery seemed impossible. In an act of desperation, she made the decision in 1991 to tell her own story, no matter what the cost. And so she and Andrew Morton began a collaboration that was to shake the royal family to its foundations and, eventually, force Diana to seek a new life. Tragically, that new, and briefly happy, life is over.

This new edition contains the story of how the book first came into being. What's more, Diana is able, finally, to tell her own story, in her own words. Its pages contain her own testament -- the closest we will ever come to her autobiography.

• Sales Rank: #396047 in Books
• Brand: Simon & Schuster
• Published on: 1997
• Original language: English
• Number of items: 1
• Dimensions: 1.32" h x 6.47" w x 9.62" l,
• Binding: Hardcover
• 288 pages

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• Great product!

Amazon.com Review
Diana: Her True Story was originally published in 1992 under the guise of a quasi-authorized biography, with mostly unnamed courtiers and royalty as the accredited sources. It instantly became a sizzling, international bestseller that lanced the boil of Windsor family dysfunction, triggering a chain of events that led to Charles and Diana's divorce. After her tragic death in 1997, Andrew Morton revealed that Diana herself had not only been the main source for the book, but had also edited his original drafts for accuracy. In return for this gold mine of information, Diana wanted complete anonymity for fear of retaliation from the queen. Her True Story in Her Own Words is enhanced by more than 75 full-color photographs of the princess, from her childhood in Althorp to her marriage to Charles at Westminster Abbey to her humanitarian efforts, and finally to her unforgettable funeral service. However, the most poignant portrayal of the princess emerges from the unedited transcriptions of Diana's interviews with Morton: "I think I'm going to cut a very different path from everyone else. I'm going to break away from this setup and go and help the man on the street."

From Publishers Weekly
Morton's expose of royal unhappiness--a 14-week PW bestseller in cloth--will be released in paperback to coincide with an NBC miniseries based on it. Photos.
Copyright 1992 Reed Business Information, Inc.

Review
A fascinating book full of new insights into the life and times of Diana... Deeply personal, candid and sometimes shocking The Sunday Times utterly fascinating...gripping The Daily Mail Compulsive reading The Sunday Express A devastatingly and intensely personal account The Independent The definitive account of royalty in the late twentieth century The Sun

Most helpful customer reviews

7 of 7 people found the following review helpful.
A good read
By Troy In Oregon
Interesting. This is the 3rd book I've read on Diana. The protection officer Ken Wharf, Burrell's first book and then this book. I found Ken's book the most measured, closest to what a life is. Burrell's book was obviously bs at times. His fawning over her is much ridiculous. Unbelievable really that he claims he was her closest adviser. This book is interesting in that it is her perspective, keeping in mind her perspective may not be total reality. I like this edition because it has direct transcripts evidencing her speaking and writing style. I recommend this book if you're interested in Diana.

12 of 13 people found the following review helpful.
Fascinating Exposé on One of the World's Most Beloved Women
By Cathryn Conroy
If you thought palace intrigue, vicious royal infighting and bizarre personal threats were limited to the time of King Henry VIII, think again. All of that is alive and well in the House of Windsor, and this tell-all, gossipy biography of Diana, Princess of Wales is the proof. While this book by Andrew Morton is very much "pro-Diana" without a lot of balance for Prince Charles's side of the story, it is a fascinating tale of what really happened in that so-called fairytale marriage. It will make you wince and even shudder to realize how horribly Diana was treated not only by her husband, Prince Charles, but also by most of the other members of the royal family. I was disappointed at some of the things that were left out--especially her admitted love affair with James Hewitt--which is part of the one-sidedness of the book. Still, it's a fascinating exposé on one of the world's most beloved women.

5 of 5 people found the following review helpful.
The Forever Princess
By Irishdancer64
I bought this book because I have always loved Princess Diana. From the moment she stepped into the spot light until her untimely death and even now, I have admired her because of her strength, love, compassion and most of all her love for her children. The book brought into light the life behind the palace walls and her struggles with health and her marriage to Prince Charles. This was a fairytale that should never had happened unfortunately it did. I would recommend this book because Andrew Morton was her closest friend and what she shared with him was something that no one ever knew about her. He takes into her lonely world as the Royal Family hid stuff from the public about her marriage to Charles and his affair with Camilla all those years.

This book will really bring to light what we all never knew or at least knew a little bit about Diana. The pictures in it are beautiful and one thing about Diana that I have always loved is how stunningly gorgeous she was when the caterpillar emerged into a beautiful butterfly.

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Captivated by you is the fourth novel in the multi-million global best-selling crossfire series from sunday times best-selling author sylvia day. Gideon calls me his angel, but he's the miracle in my life. My gorgeous, wounded warrior, so determined to slay my demons while refusing to face his own. The vows we'd exchanged should have bound us tighter than blood and flesh. Instead they opened up old wounds, exposed pain and insecurities, and lured bitter enemies out of the shadows. I felt him slipping from my grasp; my greatest fears becoming my reality; my love tested in ways i wasn't sure i was strong enough to bear. At the brightest time in our lives, the darkness of his past encroached and threatened everything we'd worked so hard for. We faced a terrible choice: the familiar safety of the lives we'd had before each other or the fight for a future that suddenly seemed an impossible and hopeless dream . . .sylvia day is the number one sunday times and number one international best-selling author of over twenty award-winning novels sold in more than forty countries. She is a number one best-selling author in twenty-eight countries, with tens of millions of copies of her books in print. Her crossfire series has been optioned for television by lionsgate.

• Sales Rank: #36834 in Books
• Published on: 2014-11-18
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .91" w x 5.08" l, .79 pounds
• Binding: Paperback

Most helpful customer reviews

212 of 226 people found the following review helpful.
you will enjoy this book but please be prepared for the roller ...
By Katrin Zehl
I am unsure on how to rate this book. I am emotionally drained from reading it. I was so invested in the characters and the story line and the hits kept on coming. I am trying to be objective considering the fact that it is the 4th in a 5 book series so I knew there would be no satisfaction at the end.
This book spans over a 3 week period in their relationship so it can't be resolved. If you understand the process of healing from sexual abuse you will get what she was getting at. She needed to develop that side of Gideon POV and that process is emotional and difficult to get through. Having said that, the Brett Kline thing was disappointing and I wish it would have been left out.
If you are invested in this series , you will enjoy this book but please be prepared for the roller coaster ride and understand that is purely character development and no significant advances in the storyline.
So in a direct appeal to Silvia Day. If you are at all reading your reviews. Thank you for showing the male perspective of a sexual abuse survivor and the consequences if you have not dealt with it. But please ........... for book # 5 let them both find their strength and claim their life. Finish their story line where it was worth for us to invest 3 years into this series. Skip the cookie cutter way out and span it over a few years not just weeks. If there ever was an extensive Happy Ending needed it would be in this series. Considering the time investment of the readers. I sincerely hope to see "One with you"published within a few months. Not years!!

446 of 485 people found the following review helpful.
This Series Started Off So Strong.......
By Shambles
Please be aware there will be small spoilers concerning the plotline.

It is such a shame......this series started out so strong. Bared To You and Reflected In You were absolute perfection. Entwined With You (book 3) was just okay for me, but I understood going into it that is was a transition book so I didn't expect too much to happen. The best part of EWY was Gideon and Eva solidified their relationship. Looking forward to Captivated By You, I had very high hopes. I had read some interviews with Ms. Day and watched her on Youtube explaining books 4 and 5 would focus on Gideon's issues and I was excited about the prospect of finally really digging into Gideon.

Unfortunately that is not how it played out for me. Right off the bat, Eva is dealing with some left over emotions concerning Brett Kline. I am like....what??? I thought that particular door closed for Eva in EWY at the Golden video premiere. She realized she loved Gideon completely and although she may have a sexual chemistry with Brett, their relationship would never resume. She belonged with Gideon. I felt the only lingering storyline concerning Brett was the sex tape....guess I was wrong. This bothered me for a couple reasons. I felt this drama was contrived only to be a filler.....I felt this issue was resolved also Eva's conflict over Brett seemed to set her back a few steps.....taking her back to that desperate girl who used sex to try and keep him. That is not the Eva that has been growing stronger and stronger in the past 3 books. I didn't get angry with Eva, but I truly didn't understand why Ms. Day chose to take Eva's character in this direction. I did get frustrated with the fact it seem to take Eva much too long to really deal with the Brett situation and would have preferred to see it wrap with more quickly.

Something different happened in Captivated By You, rather than just experiencing Eva's point of view Gideon had a turn to express his inner thoughts. It should have been awesome crawling into Gideon's head, but honestly Gideon and Eva's voice seemed to be exactly the same. I really couldn't distinguish between the two "different" views. In the past books, I thought Ms. Day did an excellent job of allowing readers to really understand Gideon even though we only saw him through Eva's eyes. And while it was nice to hear from the man himself, I am not quite sure I liked it. Gideon is not really good at telling Eva anything and he was doing things, manipulating situations and people without communicating with Eva. I found that I didn't like that aspect of him. He knows how much Eva hates that. Gideon has seen how secrets have stressed Eva and Monica's relationship so I was frustrated seeing him do the exact same thing knowing full well that these actions were going to cause problems later on. The best part to Gideon's point of view was being about to see how truly damaged he is from his past. I think I expected more growth from Gideon in this book. He has slowly started making changes to heal and confront his past in the previous books, but I really wanted to see more of that in this book and I didn't get that until the very end of the book. I am sure in book 5 Gideon will really start to the process, but I expected more.

Captivated did answer some questions that have been floating around in my head, but not all questions of course were answered. I thought some loose ends were tied up a little too quickly. For example, I have been wondering what the hell was going on with Nathan's bracelet and basically it was answered in two pages.

When I finished CBY, I turned the page and saw the title for book 5 and I can tell you quite frankly I don't feel any excitement for the next installment. I don't have that dread of waiting a year or six months for it either. I feel let down; as far as I am concerned books 3 and 4 could have been combined. I feel like the past 2 books have not taken the characters far enough and the series seems to have lost that momentum. I don't know if that is because of the long wait between installments or if that the characters are not as vibrant as they were in the beginning. I will definitely be reading the last book; it just won't be with the enthusiasm and excitement I had before. I had no problem with Ms. Day extending the series by 2 books, but I don't feel like extra books have added anything to series or strengthen the characters or the storyline.

404 of 445 people found the following review helpful.
Save your money, nothing new happening in this book, except to drive the Crossfire Series further into the ground.
By Gail H
*Possible Spoiler Alert*

*Yawn* Was there a purpose to this book? Unless the purpose behind this book was an attempt at driving this series into the ground, then congratulations, it was a success. This book is similar to ordering a box of candies from a company that you've trusted in the past, and they send you a huge box, and you think that it's going to be filled with all sorts of goodness, but then you open the box, and it's filled with nothing but packing peanuts, and you keep searching thinking that you're going to find something, and finally after going through all the packaging, you find a caramel. The packing peanuts in this book are the sex scenes, and try as you may to search through all of them, but you aren't going to find a caramel, maybe a piece of butterscotch candy. Because I enjoy erotica, it pains me to say "Enough with the sex", please, we get it, we also get that they need each other to survive, Gideon is the yin to Eva's yang, he can't breathe without her, his body hurts not being inside her, they feel each other's presence before they see each other, their skin aches when they part, WE GET THIS, IT WAS ESTABLISHED OVER AND OVER AND OVER AND OVER AND OVER AND OVER IN ALL THREE PREVIOUS BOOKS. Seriously, they have sex before work, while on the way to work, while at work, and then after work, at this point I would be happy just to see either one standing at the water cooler talking to a co-worker about the last episode of The Walking Dead, effing anything but the two of them effing. It would be nice to read one of having an independent scene without the other waiting in the shadows. It would be interesting to see Eva going to California without Gideon trailing, as it would to read about Eva going to lunch without Gideon waiting a table close-by, it would have been interesting to read any scene without them together, because as we all find out, they can't be together without engaging in sex. That's is all there is to this book is the sex, and although I like sex scenes, it would be nice to have a little storyline to go along with it. I skipped through dozens of pages because the sex is a yawn fest.

This series began with beautiful, wealthy, interesting yet flawed and damaged people, but has turned into a series about beautiful co-dependents that I seriously doubt can take a p*ss without the other one holding his/her hand. I now loathe Cary, instead of him being a supporter and friend to Eva, all he thinks about is how her every move is going to impact him. This book is essentially the three of them discussing sex, making each other miserable, whining and complaining, but can't be away from each other for longer than an hour. C'mon, how ridiculous is it that Gideon wants Cary to move in the penthouse that he and Eva are having remodeled so that Cary doesn't feel deserted. Gideon has turned into a pansy, frantic schoolgirl, but instead of passing notes of "Do you like me, yes or no?", he sends texts. Corrine having sex with Angus would be more interesting than to reading this, watching paint dry on the walls would be more interesting than this story.

As with book three (Entwined with You) in this series, nothing was resolved, nothing new occurred, it was basically a repeat of book three. The name of this book should have been: Entwined with You Version 2.0, or Gideon Has Sex With Eva Again and Again and Again and Again and Again and Again and Again and Again.

Save your money folks, nothing new going on here. I included a "Possible Spoiler Alert" because I wasn't sure if saying nothing new occurred would be a spoiler.

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• Sales Rank: #2499332 in Books
• Brand: Brand: Ed. Anaya Multimedia
• Published on: 2012-06-30
• Original language: Spanish
• Dimensions: 9.50" h x 7.25" w x .75" l, 1.50 pounds
• Binding: Paperback
• 254 pages

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• Published on: 1701
• Binding: Paperback

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[D905.Ebook] Ebook Free The Glorious Revolution: 1688: Britain's Fight for Liberty, by Edward Vallance

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"A swashbuckling re-examination of a forgotten moment in British history by a richly talented young historian."―Daily Telegraph

Heeding the call of England’s ruling class, the Dutch Prince William of Orange landed with a massive invasion force and within six weeks expelled the Catholic King James II in 1688. In what was largely heralded as a bloodless revolution, William and his English wife Mary, James II’s Protestant daughter, were crowned joint monarchs, accepting the Declaration of Rights that affirmed Parliament’s ancient rights. It was a turning point in Britain’s march toward universal suffrage and liberties. But as acclaimed historian Edward Vallance reveals, the Glorious Revolution was characterized by warfare and bloody massacre (especially for Catholics and Irishmen), affected the rights of the common man in ways traditional histories have ignored, and engaged the British populace in the affairs of government as never before. A thriller-paced book―rich in seventeenth-century first-person accounts of the bloodshed and political machinations of the period―that turns every debate about this great historical event on its head. 20 black-and-white illustrations

• Sales Rank: #1976686 in Books
• Brand: Brand: Pegasus
• Published on: 2009-08-04
• Released on: 2009-08-04
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x 1.00" w x 5.80" l, 1.10 pounds
• Binding: Paperback
• 400 pages

Features

• Used Book in Good Condition

Review
“Gripping . . . [Vallance] writes with considerable narrative flair . . . a tremendously exciting introduction to the period.” (Daily Telegraph)

“Lucid and perceptive.” (Blair Worden - Literary Review)

“An account that is balanced without being anodyne, wide-ranging without being superficial, assured without being complacent . . . An up-to-date and well informed narrative.” (Times Literary Supplement)

About the Author
Edward Vallance completed his BA and Ph.D. at Balliol College, Oxford. From 2000 to 2002 he was the De Velling Willis Research Fellow at the University of Sheffield. He is now a lecturer in Early Modern History at the University of Liverpool.

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0 of 0 people found the following review helpful.
Five Stars
By Tsitsi M.
love it

1 of 7 people found the following review helpful.
Not recommended
By RAB
This book was a big disappointment. Not well written or well organized. There have to better introductions to the Glorious Revolution than this.

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[F565.Ebook] Download Ebook Hobbes (The Routledge Philosophers), by A.P. Martinich

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Thomas Hobbes (1588-1679) was the first great English philosopher and one of the most important theorists of human nature and politics in the history of Western thought.

This superlative introduction�presents Hobbes' main doctrines and arguments, covering all of Hobbes' philosophy. A.P. Martinich begins with a helpful overview of Hobbes' life and work, setting his ideas against the political and scientific background of seventeenth-century England. He then introduces and assesses, in clear chapters, Hobbes' contributions to fundamental areas of philosophy:

• epistemology and metaphysics, in particular Hobbes' materialism and determinism and his relation to Descartes
• ethics and political philosophy, concentrating on Hobbes' most famous work, Leviathan, and the theory of the social contract it advances
• philosophy of science, logic and language, considering Hobbes' theory of nominalism and his writing on rhetoric and the uses of language;
• religion, examining Hobbes' analyses of revelation, prophets and miracles.

The final chapter considers the legacy of Hobbes' thought and his influence on contemporary philosophy.

• Sales Rank: #7759510 in Books
• Published on: 2005-07-12
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 5.50" w x 1.00" l, 1.06 pounds
• Binding: Hardcover
• 280 pages

Review
'In short, this is a fine and authoritative study by an acknowledged master of his subject. No serious student of Hobbes or early modern philosophy should ignore this book.' - Paul Kelly, London School of Economics

'This is an excellent book, well-suited to the Routledge Philosophers series. It is clearly and accessibly written, comprehensive, up-to-date on current scholarship, well-organised and often humorous. I think undergraduates will find the book both readable and enjoyable. Teachers will find it very helpful.' - S.A. Lloyd, University of Southern California

About the Author
A.P.Martinich is Professor of philosophy at the University of Texas, Austin. He is the author of A Hobbes Dictionary (Blackwell, 1995), Hobbes: A Biography (CUP, 2000) and the editor of Philosophy of Language (OUP, 2000).

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10 of 10 people found the following review helpful.
THE DEFINITIVE BIOGRAPHY OF HOBBES
By Steven H Propp
A.P. Martinich is an analytic philosopher who has an emphasis on the history of political thought, and he is the author of this great biography.

Thomas Hobbes (1588-1679) was an English philosopher, most remembered today for his seminal work of political philosophy, Leviathan: With Selected Variants from the Latin Edition of 1668. Hobbes served as a secretary to Francis Bacon for some time, and Martinich notes, "Not even his friends liked Bacon."

Martinich observes that "Although he would sharpen the argumentation and improve the presentation in later works, Hobbes adhered for the rest of his life to the basic positions presented in his first political treatise." (The Elements of Law, Natural and Politic: To Which Are Subjoined Selected Extracts from Unprinted Mss. of Thomas Hobbes). Martinich later adds that "All or almost all of the central points of Leviathan had been made by Hobbes in early books and manuscripts."

Martinich's own comments are always pertinent: e.g., "His doctrine was Calvinism without original sin." "Hobbes never lost an adolescent delight of shocking the intellectual establishment."

Hobbes was the founder of biblical criticism, and "Hobbes was the first person to argue in print that Moses was not the author of most of the Pentateuch." About Hobbes' attempt to reconcile science and religion, Martinich notes, "He failed, but I do not know of anyone who has succeeded."

This is the finest study of Hobbes' life we are ever likely to see.

20 of 21 people found the following review helpful.
As Close to the Standard Edition As It Gets
By Parker Benchley
One, if not the first, in a series of biographies of European philosophers by Cambridge University Press, this volume more than holds its own and is bound to becomne the standard text on the life of Thomas Hobbes.
Deftly written and extremely well researched, this is a volume not only for the scholar of English philosophy or history, but for the well-read layman as well. Martinich presents his subject chronologically, as any good biography should, with brief stopovers for analysis of each Hobbes text both philosophically and within the historical context against which it was written. Martinich is most unusual in that he does not take his own words as the last ones on the subject; there are pages on his disagreements with other writers on interpretations of both the life and thought of Hobbes, which makes this volume both unusual and valuable to any understanding of its subject.
Pricey, but strongly recommended, especially if one has any of the other volumes in the Cambridge series. If possible, wait for the paperback . . . but not too long, for there is much about Hobbes one will miss.

3 of 3 people found the following review helpful.
Levity
By toronto
This is a very competent biography of Hobbes, laced with the author's sardonic (and often very funny) asides and comments. We could probably do without some of the comments, as they are occasionally self indulgent, but they do liven up some dry times in the exposition. They also chime somewhat with Hobbes' notorious cantankerousness. For contemporary philosophers,among the most important ideas are those stemming from the ruthlessness with which Hobbes pursued the relationship between states of nature, states of law, and the nature of sovereignty (much of this has been taken up in recent discussions of terrorism by Agamben and others; but of course goes back all the way to Grotius, Rousseau, etc.). The contemporary reader needs to keep substituting some other kind of sovereign power for the actual Charles I, Charles II, etc. (the Stuarts were not a great advertisement for the theory of the absolute sovereign). There is also a nice summary of Hobbes' theory of mathematics (about the status of arithmetic versus geometry) which I never quite grasped before, and which has interesting echoes in Wittgenstein's Remarks on the Foundations of Mathematics.

I didn't know until I read this biography that Hobbes believed in the existence of angels, and other interesting tidbits.

I particularly liked the anecdote that Hobbes pointed to a gravestone and remarked that that "was the True Philosopher's Stone".

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[M437.Ebook] Fee Download Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship and Performance), by Sandra P. Rosenbl

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Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.

Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.

"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher

"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research

"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal

"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times

"Its importance to thoughtful musicians cannot be overstated." ―Choice

"... thoroughly musicological." ―Performance Practice Review

"... indispensable... " ―New York Times

• Sales Rank: #605908 in Books
• Published on: 1988-11-22
• Released on: 1988-11-22
• Original language: English
• Number of items: 1
• Dimensions: 9.97" h x 1.16" w x 6.50" l, 1.93 pounds
• Binding: Paperback
• 544 pages

Review
"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times

About the Author

Sandra P. Rosenblum has lectured widely on performance practices at universities, schools of music, and both national and international conferences. The author of numerous journal articles and of editions of sonatas by Scarlatti and Clementi, Ms. Rosenblum holds degrees from Wellesley College and Harvard University. She has been the recipient of fellowships from the American Council of Learned Societies and the Radcliffe Institute. Her present research is on the music of Chopin.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Think in your students and you!
By Evelyn Melendez
Every serious piano professor should buy this book AMD incorporated to his or her lessons.

5 of 6 people found the following review helpful.
The ultimate reference book
By Jennifer L
This is one of the finest books ever written on classical piano music. It is a valuable resource to any pianist wishing to make informed decisions on ornamentation, articulation, and all aspects of classical style. Thank you Dr. Rosenblum for your monumental work.

2 of 3 people found the following review helpful.
Exactly what I've been searching for long long long time!
By A Customer
As a piano instructor, I thought that C.P.E.Bach's The True Art of Playing Keyboard Instruments should be the comprehensive companion on performance practice, but found it is a little bit old in some ways. Then one of my friends who is on piano faculty at the Michigan University in An Arbor recommended this book to me. I believe this book is the exact guide to me when talking about performance practice on mordern piano especially in stylistic interpretation on general issues, such as how to deal with small slurs in different classical composers, different expression marks, etc. Great in many ways.

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