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Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.
Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.
"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher
"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research
"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal
"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times
"Its importance to thoughtful musicians cannot be overstated." ―Choice
"... thoroughly musicological." ―Performance Practice Review
"... indispensable... " ―New York Times
- Sales Rank: #605908 in Books
- Published on: 1988-11-22
- Released on: 1988-11-22
- Original language: English
- Number of items: 1
- Dimensions: 9.97" h x 1.16" w x 6.50" l, 1.93 pounds
- Binding: Paperback
- 544 pages
Review
"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times
About the Author
Sandra P. Rosenblum has lectured widely on performance practices at universities, schools of music, and both national and international conferences. The author of numerous journal articles and of editions of sonatas by Scarlatti and Clementi, Ms. Rosenblum holds degrees from Wellesley College and Harvard University. She has been the recipient of fellowships from the American Council of Learned Societies and the Radcliffe Institute. Her present research is on the music of Chopin.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Think in your students and you!
By Evelyn Melendez
Every serious piano professor should buy this book AMD incorporated to his or her lessons.
5 of 6 people found the following review helpful.
The ultimate reference book
By Jennifer L
This is one of the finest books ever written on classical piano music. It is a valuable resource to any pianist wishing to make informed decisions on ornamentation, articulation, and all aspects of classical style. Thank you Dr. Rosenblum for your monumental work.
2 of 3 people found the following review helpful.
Exactly what I've been searching for long long long time!
By A Customer
As a piano instructor, I thought that C.P.E.Bach's The True Art of Playing Keyboard Instruments should be the comprehensive companion on performance practice, but found it is a little bit old in some ways. Then one of my friends who is on piano faculty at the Michigan University in An Arbor recommended this book to me. I believe this book is the exact guide to me when talking about performance practice on mordern piano especially in stylistic interpretation on general issues, such as how to deal with small slurs in different classical composers, different expression marks, etc. Great in many ways.
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